My Brain Is in My Inkstand: Drawing as Thinking and Process
Bloomfield Hills, Mich., October 17, 2013 – On November 16, 2013, Cranbrook Art Museum will open a new season of exhibitions examining how the act of drawing impacts both artistic and scientific thinking.
Through the new major exhibition, My Brain Is in My Inkstand: Drawing as Thinking and Process, and the accompanying traveling exhibition, The Islands of Benoît Mandelbrot: Fractals, Chaos, and the Materiality of Thinking, Cranbrook Art Museum will examine how sketches on paper are the first materialized traces of an idea, and how they are used as an instrument to make a meandering thought concrete.
An exhibition examining the work of Cranbrook’s first Resident Ceramic Sculptor, Waylande Gregory: Art Deco Ceramics and the Atomic Impulse, will also open on November 16.
With an opening weekend full of live performances and work from artists and scientists, a basketball coach and skateboarder, a biologist and even Native American Indians, the exhibitions promise to take you on a journey, demonstrating that if you can think it you can do it – but first you must draw it.
An original new exhibition organized by Cranbrook Art Museum brings together 22 artists from around the world to redefine the notion of drawing as a thinking process in the arts and sciences alike.
Inspired by the accompanying exhibition The Islands of Benoît Mandelbrot, the exhibition uses multiple sources to show how drawings reveal the interdependency of mark making and thinking. Featured artists include John Cage, Front Design, legendary basketball coach Phil Jackson, Mark Lombardi, Tony Orrico, Tristan Perich, Ruth Adler Schnee, Carolee Schneemann, and many more practitioners from around the world. The exhibition will also incorporate work from the collections of Cranbrook Institute of Science and the Cranbrook Center for Collections and Research.
Artist Tony Orrico will conduct a live public performance from 11am – 3pm on both Saturday, November 16 and Sunday, November 17 as he continues a three-day process of creating a drawing that will remain in the Museum for the duration of the exhibition. Artist and composer Tristan Perch will install a live Machine Drawing that uses mechanics and code to cumulatively etch markings across a Museum wall.
The title of the exhibition derives from a quotation by American philosopher, mathematician and scientist Charles Sanders Peirce, whose work involving the over- and under-laying of mathematical formulas with pictographic drawings will be presented for the first time.
Organized by Cranbrook Art Museum and curated by independent curator Nina Samuel.